Tascam DR-40X Prenosivi digitalni snimač

4-Channel Portable Handheld Recorder for Creators on the Move

The Tascam DR-40X is a 4-channel portable handheld recorder built for musicians, podcasters, and field recordists who need flexible, high-resolution capture in a compact unit. Adjustable unidirectional condenser microphones switch between XY and AB stereo, while dual XLR/TRS combo inputs accept external mics or line-level sources for true four-track recording. This model also functions as a 2-in/2-out USB audio interface and runs up to 18 hours on three AA batteries.

What Sets the DR-40X Apart

At this price point, few handheld recorders combine adjustable stereo microphones with true four-track capture and a built-in USB interface. MS decoding allows Mid-Side microphone techniques without external processing, while Dual Recording mode captures a parallel safety track at a lower level to guard against sudden distortion during live takes. You get nondestructive overdubbing, punch-in overwrite with one level of undo, and a 2-second pre-recording buffer as well.

Specs That Shape Real-World Performance

These technical details translate into practical flexibility for working creators, blending high-resolution capture with broad storage and built-in monitoring.

• Recording Tracks: 4 channels (2 stereo pairs) — capture built-in mics plus external sources simultaneously
• Format Support: WAV/BWF up to 24-bit/96kHz, MP3 up to 320kbps
• Storage Medium: SD/SDHC cards up to 128GB — you can store up to 192 hours of CD-quality audio per card
• Headphone monitoring is easy thanks to a 3.5mm stereo output and built-in 0.3W speaker.
• Battery Operation: up to 18 hours on 3 AA batteries

Ideal Users for the DR-40X

Musicians, podcasters, and content creators who need one device for songwriting, interviews, and on-location film audio can rely on the DR-40X. Those working with DSLR cameras will appreciate the adjustable XY/AB microphones for run-and-gun shoots, while bands can plug guitars or basses directly into the combo inputs for rehearsal demos. Field recordists benefit from MS decoding, a 125 dB SPL ceiling, and a low-cut filter with 40/80/120Hz settings.